Vedam Full Movie Download 1080p Hd
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original title: Vedam
duration: 2h 15min
Cable Raju is a slum dweller who works as a cable operator; Saroja is a prostitute; Ramulu is a debt-ridden weaver from Sircilla; Vivek Chakravarthy is an upcoming rock star; Raheemuddin Qureshi is a Muslim from Old Basti in Hyderabad. The stories of these
five characters are interwoven into one. A terrorist threat puts five people in jeopardy. From the director of 'Gamyam', comes another meaningful story 'Vedham'. Audience in search of wisdom, your ultimate stop is here. Readers, if this review goes a little
long, it is only that appreciation to this movie has no bounds. Krish has done a flawless job that will make the audience sit at the edge of the seat for most of the time.
With this movie, Tollywood goes to the next level. The level from commercial cinema to meaningful cinema! Krish has already announced his arrival with 'Gamyam' and now he has cemented his place with 'Vedam'.
'Vedam' is the story of 6 people. All the people involved are introduced individually. First in the list is Manchu Manoj as Vivek Chakravarthy who's introduced with a title as 'Rocking Star'. He is a rock star in the movie and a song showing him as a rock star appears soon after the title of the movie. He along with his girl friend Lasya (Lekha Washington) and their gang set up a rock band in Bangalore. They go to Hyderbad for a performance.
Next is Nagayya as Ramulu, an old man from Lingampally, is introduced along with his daughter in law Saranya. They are illiterates who face serious financial problems. They are in debt to Patel who has Saranya's son captive. Only upon paying the debt, the son would be set free. The only solution is to sell a kidney of Saranya that takes the old man and his daughter in law to Hyderbad.
Next scene is a 'basthi' (slum) in Jubilee hills, Hyderbad. Allu Arjun as 'Cable Raju' is introduced. He's educated yet works as a cable boy who doesn't pay his boss. He fakes his life as a rich brat and makes his filthy rich girl friend believe the same. He needs money to impress his girl friend.
In this list of 6 people, the fifth in the line is Manoj Bajpai as Rahim Qureshi. A bitter past in a Hindu Muslim fight, his pregnant wife loses the foetus before birth. A small misunderstanding with a cop has him in a black list. He is a good man and a beloved husband yet in the bad books of the police.
The last in the list is Anushka who's Saroja, a prostitute. She knows no other way of living. She along with her friend, 'Karpooram', a eunuch, wants to get out of the prostitute house they work for. They want to set up on their own.
This is a classic movie that will go in to history no doubt! IndiaGlitz appreciates the director, Krish for making such a meaningful movie. Only a gist is given and nothing more. After the introduction of all characters, the plot takes place on 31st night. Every character is associated with Hyderbad. This one night is life changing for all the 6 persons and the people associated with them.
Parallel to the lives of these 6 people, a gang of terrorists plot a plan to massacre innocent citizens in the name of 'Jihad'. How these people are related and how the others in the hospital, who are held as hostages by the terrorists, are saved, forms the terrific remainder of this paramount story.
The hero of the movie
The screenplay and it is the hero! The introduction of all characters is done one by one. It is a simple yet powerful screenplay. The characterization of all characters is sketched carefully in such a way that the script is not dominated. Given the images of Allu Arjun and Manchu Manoj, the script emerges greater.
'Vedam' Dialogues are exemplary and compliment the screenplay.
The screenplay is crisp thanks to the editor Sravan. The way the story is narrated by Krish is just amazing and any word above that will go to him. No lag in script and that is one sign of a classy movie maker. Kudos to him and his editor!
The next important technician is the cinematographer VS Gnana Sekhar. His camera has captured all those intense scenes excellently particularly a few scenes on the highway when Manoj and his band are on their way to Hyderbad from Bangalore.
M M Keeravani's music and rerecording are remarkable. Looks like he saves his best for the best! Elegant work from the veteran, his music is definitely an asset.
Starting from the order of appearance in the movie- Manoj as an actor will cherish the character he has portrayed in 'Vedam' all through his career. He has been shown as an intelligent guy who has an ambition. Manoj has pulled of a decent job. Interestingly when his name appeared in the titles, his character was described as special appearance as subscript.
Allu Arjun as a cable guy would equally feel happy to have bagged such a role. His screen presence is a little more than Manoj, his character demands it. Allu Arjun has evolved as an actor yet his expressions could be better. In fact Manchu Manoj and Allu Arjun come on the screen together only for a few seconds and that too in the climax.
Manoj Bajpai has brought out a terrific performance and his performance is the pick of the lot. Anushka has done a decent job. All other actors have done a great job but a lame member of the audience would feel there were too many characters involved yet the script emerges winner.
Reiterating the point that Krish has taken Tollywood to the next level, his 'Vedam' is a genesis that other film makers will start to contemplate about. He has touched every aspect of life be it religion or money and carefully conveyed a message about good living. This movie is a clear winner and any rating will only be too less. Hats off Radha Krishna! The first and the foremost duty of any writer is simple. To tell the truth. Just tell the truth. And I want to begin by telling just that – the truth. The truth about art. Any art. It's, again, simple. Art must touch souls. If what you do doesn't touch your own soul, it not only not an art but also something you should not be doing in the first place. And this is the best thing about life. We know it when we are doing something that is not touching us. But we keep doing it. But not all. Some stop. They just stop. And then they start doing something else. Something that is completely not expected of them. And it is this defining moment that makes lives. And more often than not this defining moment in life begins with this line, if you were a Telugu-speaking dreamer: "Edava janma" ("What an inglorious life I have been leading!"). This I know, although I hardly know anything about Krish – the writer-director of 'Vedam', is the same internal dialogue with his inner voice that made him quit everything he had and had been doing to begin his life anew by moving to film-making. "What an inglorious life I have!" In short, it is highly impossible to create a work of art that touches souls unless the maker of it goes through that defining moment in life. And the best thing about such lives and works of arts is that they go on to make a million more people go through the same defining moment in their lives: "What an inglorious life I am having! ". And in that lies the success of such original creators of works of art that touch souls. And today's film is a testimony to that fact. That Radhakrishna (Krish) is a success. His works come from the people that touched his soul to the people whom it will go on to touch. My hearty congratulations.
Coming to the film, the best thing about it is that it put the true meaning of inspiration in its original place. For decades we have been subjected to the horror of art thieves who used and abused the word 'inspiration' by blatantly copying others' works. And it is the same fear that I went to watch the movie 'Vedam' today. That it could be a copy of "Babel" or "21 Grams" or even closer "Crash". And I thanked all the gods and quietly patted Krish's back in my own mind that it was not what I feared it was. I am sure, as he himself would admit, if asked, that the germ of the idea for the such a story came while watching "Crash" but that's where all comparisons end. Not a single element was taken from any other movie. It is the soul of the filmmaker that was touched by all these wonderful films that responded to create his own original work that could touch a million more people in the same way. And that is the pristine definition of the word 'inspiration'. A candle lighting other candles. And Krish's film is one such candle that was lit by a few beautiful candles that in turn is now lighting many more candles.
There are many successful filmmakers in this world and in our own industry. Many offer many different things through their films that we all enjoy watching. At the end of the day I know what comes to me to my bed and into my dreams is not that film that made me happy or sad or excited about or ambitious but that movie that touched my inner most soul and made me want to be a better person. Not many successful filmmakers indulge themselves in making such soul-stirring tales. Not because they don't like doing them but simply because they can't. Not all can. It requires to be human, it requires to be sensitive to pain, it requires to go through pain and not hate the source of pain to acquire that humanist attitude towards life, people and in the way one likes to live life. Unless you are such a humanist, you can't create a good humanist drama. You have to, like Gandhi said, live the life that you want to preach. Only a few filmmakers belong to that school: Alejandro González Iñárritu (Amores Perros/21 Grams/Babel), Roberto Benigini (Life is Beautiful), Sam Mendes (American Beauty/Revolutionary Road), Prakash Jha back at home (Apaharan/Gangajal/Raajneeti), Anurag Basu (Life in a Metro) and a few others. And I am proud to state that we have a humanist born in our own Telugu film industry who understands the universal nature of human emotions and responds to them with affection. And that his name is Radhakrishna. To Radhakrishna. To Krish.
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